![]() The Yanagisawa stencil Corton Deluxe to low a A (B6 model) was also a better alternative to Beuscher. It was sold to a collector who had several saxes and mostly played tenor. A Weltklang or B&S Blue Label baritoneto low A for less money. A beautiful TH&C alto This beautiful sax was rebuilt by WWS in 2013 with Buescher snap-in, metal-backed pads and natural cork throughout. It was not easy for the American manufactors to compete with the new and low priced brands back in late the 70's. ![]() Does it means Beuscher (Selmer US) changed necks on the late 400's? The earliy models had underslung octave key and double braces but I've seen late 400's necks with just underslung octave key. The Beuscher 400 necks and underslung octave key changed. There are often damaged on the body and bell. Hard to find 400's tenors in good shape for the right money. ![]() silver-plated 'The Martin' tenor from 1951 Original neck is in great condition with matching serial number. This tenor has ornate hand engraving of an Egret wading in a lake and came from Conns Elkhart factory in 1929. The only American pro horn that I've never owned. Later 400 that still blows well, snap-in resonators, original lacquer in very good condition. The Beuscher 400's (TH&C) are very good horns. Thier best models became a more intermadiate models. I sold new Beuscher 400 (low C#, B, B# leys, rear right back) but the tenors and altos had bell keys on feft side.īeuscher went in the direction as Conn in the 50's.
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